Performing and Visual Arts
Research Interests: History of Photography; South Asian Art and Visual Culture; Art and Activism; Global Modernism; Contemporary Art; Intellectual History of Art; Art Historiography; Postcolonial Studies; Print History; History of Inter-Asian Connections
Professor Ranu Roychoduhuri is a scholar of modern and contemporary art in South Asia, focusing on photography, print history, intellectual histories of art, art historiography, and postcolonial studies. She has published in peer-reviewed journals, edited volumes, and art magazines and her research has been supported by national and international institutions. She curated shows for private and public institutions and taught in the US and Indian higher education institutions. Her scholarship, teaching, and curatorial practices focus on entangled histories of visual aesthetics, photographic techno-materiality, intellectual commitments, and political processes in modern South Asia and foreground the historical interconnectedness of visual cultures that exemplify cosmopolitan artistic practices.
Professor Roychoduhuri received her PhD in South Asian Languages and Civilizations from the University of Chicago and began her professional career at Nalanda University. Subsequently, she joined the Indian Institute of Technology Guwahati before joining Ahmedabad University. During her tenure at the IITG, she spent an academic year as Associate Research Scholar and Lecturer at Yale University.
Peer-reviewed journal articles
- Ranu Roychoudhuri, “Notes on Historiography of Photographs from India,” History Compass, 21(5), e12763 (May, 2023). DOI: 10.1111/hic3.12763
- Ranu Roychoudhuri, “Photographs of People, Monument for a City” in a special issue, titled “Discovery of India(s): Resisting the National Biography,” of South Asia: Journal of South Asian Studies, 41(3) 658–680 (2018). DOI: 10.1080/00856401.2018.1488514
- Ranu Roychoudhuri, “Documentary Photography, Decolonization, and the Making of ‘Secular Icons’: Reading Sunil Janah’s Photographs from the 1940s through the 1950s,” Bioscope: South Asian Screen Studies, 8(1) 46– 80 (2017). DOI: 10.1177/0974927617717898
Chapters in Edited Volumes
- Ranu Roychoudhuri, "Intermediality and Cosmopolitanism: Photography and Activism in Postcolonial Calcutta," in Points of View: Defining Moments in Photography in India, edited by Gayatri Sinha (New Delhi: Kiran Nadar Museum of Art, 2022)
- Ranu Roychoudhuri, "Photographing Jamshedpur's Industrialscape in a Nehruvian India," in Jamshedpur: 100 Years and Counting (Mumbai: Tata Steel and The Marg Foundation, 2020).
Book/Exhibition reviews
- Ranu Roychoudhuri, “The Street and the Gallery: Shahidul Alam’s Archives of Practices,” review of the retrospective show Singed But Not Burnt (Emami Art, Kolkata, 19 June–20 August, 2022), Take on Art: Memory, Issue 28 (December 2022), 137-139.
- Ranu Roychoudhuri, “The Art of Witnessing: Sunil Janah and India’s Industrial Modernization,” review of the exhibition Sunil Janah/Making a Photograph (Experimenter—Ballygunge Place, Kolkata, on view Feb 03—Mar 26, 2022), Critical Collective, February 202
- Ranu Roychoudhuri, “Celluloid Histories and Futures: Art Cinema in India,” review of Rochona Majumdar’s Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony (New York: Columbia University Press, 2021), Critical Collective, December
- Ranu Roychoudhuri, “Looking through the Portal: Photographs, Lives, Histories,” review of Portal: The Curious Case of Achintya Bose (2020), Critical Collective, November 2021. https://criticalcollective.in/NoticeboardInner.aspx?Id=454
- Ranu Roychoudhuri, Review article: Chandak Sengoopta’s The Rays Before Satyajit: Creativity and Modernity in Colonial India (2016) in South Asian History and Culture (2018). DOI: 10.1080/19472498.2018.1535559
At Ahmedabad University, Professor Roychoudhuri is part of the faculty team developing the Dual-Degree Programme in Integrated Arts and teaches courses across areas of her research interest.
Courses:
PVA101 Exploring Studio Art (Co-taught)
