Professor Rajesh Naidu is an artist and educator. He has exhibited in multiple juried, group and solo shows. He was appointed to the School of Arts and Sciences in the Performing and Visual Arts division, where he teaches courses in painting and in the history of the visual arts. These courses are open to all Ahmedabad University students. He aims to bring the benefits of observational drawing and painting into many parts of the campus, including the engineering and life sciences labs.

As a Visiting Assistant Professor of Art at the Rose-Hulman Institute of Technology (Indiana, USA), Rajesh Naidu conducted Painting, Art History, and Art Appreciation courses. He was also the Artist-in-Residence at the Institute. He received a Master of Fine Arts in Studio Arts/Painting from Indiana State University, during which he was an Instructor for Beginning and Intermediate Level Drawing courses, and held a Graduate Assistantship scholarship. He began his academic career with a Bachelor of Engineering degree in Civil Engineering from the Savitribai Phule Pune University, following which he worked in the construction industry for some time.

As an artist, Professor Naidu’s primary research focus is the study of the human condition and individual identity through representational painting aided by the history of art. While his early works were inspired by Bikash Bhattacharjee’s ‘Durga’ series, and Picasso’s Blue Period paintings and seminal artwork Guernica, the inquiry into the human condition became more prominent with a series of seven paintings representing people in their unguarded moment, in their private spaces. Creative research for this series included studying works by the artists Lucian Freud, Alice Neel, and Edward Hopper.

Subsequently, as the Artist-in-Residence at the Rose-Hulman Institute of Technology, he explored the idea of spaces, man-made structures and their juxtaposition with the environment, deeply influenced by Edward Hopper’s subjects that often evoked isolation and self-reflection even with the absence of a human figure in the paintings. His series of paintings focussing on cityscape and landscape was a direct result of this research. These were painted directly from observation over multiple sessions and multiple visits to places of interest, essentially capturing a 'span' of time rather than an 'instant'. Most recently, the lockdown induced by the global pandemic resulted in a series of small paintings focussing on mundane, everyday objects that one finds in their immediate surroundings.

His future research will include exploring 'realism' in the contemporary setting, and finding its niche in current India while embracing its ethos and unravelling its multicultural aspects, and also simultaneously drawing parallels between Indian art and artists who have worked extensively in the traditional approach of representational painting, and Western artists. Working with different mediums, consciously seeking a delicate balance between contextual underscores and painterly aspects, he continues to make art as a form of inquiry that is directed inward as much it is outward, making a humble effort to find an answer to the age-old question — what is art?

Mi Guernica

Divya

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